By Lotti Pharriss Knowles
Los Angeles, CA (The Hollywood Times) 7/23/26 – I’ve always been a fan of storytelling—and by extension, solo performance. It’s one of humanity’s oldest traditions, preserving our personal and collective histories while fostering deep connection and profound revelation. Have I seen solo shows that missed the mark? Absolutely. But all levels of artistry contribute to the richness of art itself, and the transformative experiences I’ve had thanks to great storytellers far outweigh the missteps.
Renée Santos offered one of those transformative nights recently at Atwater Village Theater with her solo show, CROSSROADS. This was my second time seeing the piece, and while I was moved by the initial production two years ago, the work Santos and director Kimleigh Smith have put in since then has elevated it to a whole new level. It’s now, without question, a Must-See.
The best solo artists do two things remarkably well: They tell deeply personal stories in ways that feel universal, and they earn the audience’s trust by demonstrating command over their narrative—allowing us to experience our own emotional journeys. Santos delivers on both counts.
The show begins with 14-year-old Renée sitting in the lobby of a Boston-area Department of Social Services office, awaiting her fate after an incident with her mother has led to her removal from home. From there, she guides us through an 80-minute journey—harrowing, unexpectedly humorous, and ultimately hopeful—tracing her path through abuse, the foster care system, addiction, and ultimately, healing. She plays multiple characters, including versions of herself at different ages, revealing how damaged people (and the systems that fail them) can leave deep wounds—while also affirming the resilience of the human spirit.
What makes CROSSROADS soar is Santos herself. Her sense of optimism and inner joy shines through, even in the darkest moments, assuring the audience that she—and we—are Going To Be OK. Her powerful writing and acting are complemented by her skills as a singer, guitarist, and dancer, adding texture and dynamism to the narrative. Director Kimleigh Smith’s contributions are evident in the show’s smart pacing, fluid staging, and careful balance of light and shadow throughout.
I’m not sure what’s next for CROSSROADS, but I sincerely hope theaters in L.A. and beyond will give it a platform. In a time when many are searching for hope, Santos’s story reminds us that even through life’s harshest trials, a brighter future is possible.
