By Valerie Milano
Los Angeles, CA (The Hollywood Times) 2/9/25 – Sundance has long been a launchpad for films that challenge, inspire, and illuminate the complexities of the human experience. We’re Not Done Yet, the striking debut from co-directors Sofia Camargo and Joseph Longo, is no exception. A deeply personal and unfiltered exploration of perseverance, identity, and the power of human connection, the film pulses with urgency and authenticity, making it one of the most compelling selections of the festival.
Joseph described how the creative partnership between he and Sofia formed. “I think our sensibilities very much align and it made a lot of sense pretty early on… I think you should come and join me as a co-director.”
At its heart, We’re Not Done Yet is a story of survival—not just in the physical sense, but emotionally and spiritually. The film immerses its audience in a world where the past collides with the present, forcing its characters to confront wounds both fresh and buried. Camargo and Longo craft a narrative that feels at once intimate and universal, giving voice to struggles often left unspoken.
Sofia explained the film’s title and themes this way. “I think that the title comes from Joseph’s attempt to portray something that is not resolved… We have moments of transformation and understanding, but that doesn’t mean they’re not going to fight again, because I think that’s part of the way we are with our parents.”
The performances are nothing short of revelatory. The cast delivers raw, lived-in portrayals that elevate the film’s emotional depth. Every glance, hesitation, and moment of vulnerability feels achingly real, a testament to the directors’ ability to draw out deeply human performances. Their commitment to authenticity is evident, making We’re Not Done Yet as much an emotional experience as it is a cinematic one.
Visually, the film adopts a naturalistic style that enhances its immersive quality. Cinematography that lingers just long enough on unspoken moments allows the story to breathe, while the sound design and score work subtly to heighten the film’s emotional resonance. The direction is assured yet unintrusive, letting the weight of the narrative unfold without manipulation.
Beyond its narrative power, We’re Not Done Yet is a statement—a declaration that the past does not define the future and that even in our darkest moments, we are not alone. The film’s title speaks volumes: it is not just about its characters, but about all of us. We are all, in some way, unfinished, still fighting, still pushing forward.
In a festival filled with daring and innovative storytelling, We’re Not Done Yet stands out as a deeply moving and necessary film. Camargo and Longo have crafted a work that lingers long after the credits roll, leaving us with a simple yet profound truth: the fight isn’t over, and neither are we.