Perfect for the whole family, the dynamic musical at the Scherr Forum Theatre is both current and classic, funny and touching, and a holiday bundle of fun.
By John Lavitt
Thousand Oaks, CA (The Hollywood Times) 12-22-2025
If you are looking for a holiday treat for the whole family, “The Wonderful Winter of Oz” at the Scherr Forum Theatre in the Bank of America Performing Arts Center in Thousand Oaks is not to be missed. Running until December 28th, tickets for the vibrant musical are still available but are selling quickly as word spreads like Christmas cheer.
A Lythgoe Family Production presented by TOArts and 5-Star Theatricals, the musical brings the producer’s vision to life through meaningful arts experiences that are both entertaining and enriching. Written by Kris Lythgoe and precisely directed by Becky Lythgoe, it is an ideal example of how revisionism can enhance the source material. By adding modern songs to a classic story, they make it current without diminishing the original.
Starring John O’Hurley (J. Peterman on “Seinfeld” and the Season 1 “Dancing with the Stars” winner) as the Wizard, the production overflows with remarkable performances. The entire ensemble is fabulous, with no weak link. As Dorothy, Aubrey Anderson-Emmons is the emotional core of the story, and her beautiful voice allows each of her solos to soar. As the Wicked Witch of the West, Nicole Parker deftly sidesteps the audience’s dislike of the traditional evil character with tongue-in-cheek humor and charismatic defiance. As Glinda and Aunty Em, Tamyra Gray widens Dorothy’s emotional core with compassion and caring.
Dorothy is blessed with three terrific performances by John Shartzer as the Scarecrow, Douglas Ladnier as the Tin Man, and Mark Gagliardi as the Cowardly Lion. As the Scarecrow, Shartzer combines lively vocals with physical comedy to bring the character to life. As the Tin Man, Ladnier conveys the character’s innate pathos while engaging the kids in the audience with a sweet, funny touch. Taking center stage with the Lion’s drama-queen exhortations, Gagliardi energizes the production by raising the emotional stakes.
Behind the leading players, the Junior Dancers and Children’s Ensemble are a nonstop source of enthusiasm, balanced with focus and precision. Along with the adult ensemble members, they help drive the storyline and flesh out the classic elements of the tale, from the Munchkins to the Flying Monkeys. What is wonderful about the supporting players is their clear understanding of their roles. Although there are many opportunities to upstage the leading players, none are taken, and this restraint improves the overall production.
Indeed, “The Wonderful Winter of Oz” is a holiday delight that deserves to be embraced and celebrated. Filled with modern songs and references woven into the tapestry of the magical land of Oz and even old-time Kansas, the musical is respectful of the original while opening new doors. Overall, it was a fabulous night at the theater, presenting what hopefully will become a new holiday tradition.
