Los Angeles, CA (The Hollywood Times) 7/30/26 – The first reason I selected It’s Complicated for my HollyShorts coverage was the name attached as executive producer: Academy Award winner Zoe Saldaña. Her involvement immediately caught my attention and made me curious about the story she had chosen to support.
After watching the film, however, it was the exploration of Palestinian identity and culture that stayed with me.
Directed by Darine Hotait and written, produced by and starring Iman Karram, It’s Complicated follows Yara, a Palestinian American screenwriter living in Los Angeles. Yara begins taking online Arabic lessons from Hana, a poet and teacher living in Gaza.
What begins as a practical effort to reconnect with language gradually develops into an intimate friendship grounded in humor, creative ambition, cultural understanding and sisterhood. When war separates them, Yara is forced to confront grief, guilt and the responsibility of keeping Hana’s story alive.
The title may sound lighthearted, but the complications within the film are profound. They involve language, displacement, belonging, distance and the emotional divide between experiencing a culture from within a homeland and carrying it from afar.

The film allows its Palestinian characters to be artists, teachers, friends and complicated human beings with dreams that extend far beyond the circumstances surrounding them.
Yara’s Arabic lessons carry particular significance. For members of a diaspora, language can represent far more than communication. It can be inheritance, identity and a connection to family and history. It can also expose what has been lost through assimilation, distance or generations spent away from one’s ancestral home.
The relationship between Yara and Hana becomes the film’s emotional foundation. Their friendship bridges Los Angeles and Gaza, but the film never suggests that technology can erase the realities separating them.
Their screens allow them to see and hear each other, yet the physical and political distance remains painfully present.
Iman Karram gives Yara a believable combination of warmth, uncertainty and emotional restraint. She conveys the complicated position of someone who feels deeply connected to Palestine but is physically removed from the immediate danger faced by Hana.
Yara’s grief is intertwined with diasporic guilt, the difficult awareness that she can close her computer and continue moving through a comparatively protected life.

Dina Shuhaiber’s Hana is essential to the film’s impact. Hana is not presented simply as a symbol of suffering. She is intelligent, funny, creative and fully alive.
Her identity is not reduced to tragedy, which makes the threat of losing her—and the world she represents, even more affecting.
The film’s short running time occasionally leaves the viewer wishing for more space with both women. Certain emotional transitions could have benefited from additional time to deepen the development of their friendship and Yara’s internal conflict.
Yet that limitation also reflects the discipline required of short-form storytelling. Hotait and Karram establish a meaningful relationship quickly without overexplaining every emotion or turning the film into a political lecture.
The filmmaking remains focused on the women and their connection. Rather than depending on graphic imagery or spectacle, It’s Complicated draws its power from intimacy.
The story reminds viewers that large geopolitical events are experienced by individuals whose friendships, careers, families, jokes and daily rituals continue to matter.
The film also asks an important question about storytelling: Who gets remembered, and who has the ability, or obligation, to preserve another person’s voice?
See Trailer:
It’s Complicated trailer (Malibu Mutt Studios)
Yara is a screenwriter, so her responsibility is not only personal. She possesses the means to transform memory into narrative. The film recognizes both the value and the burden of that power.
Telling Hana’s story can be an act of love, but it also requires Yara to confront whether another person’s pain can ever be represented completely or fairly.
That tension gives It’s Complicated greater depth than a straightforward story about friendship interrupted by war. It becomes a meditation on cultural memory, artistic responsibility and the role of the diaspora in preserving stories that might otherwise disappear.
Zoe Saldaña’s decision to join the film as an executive producer gives this intimate project an important additional platform. Her involvement was what first brought me to the film, but the strength of the work itself is the reason to recommend it.
It’s Complicated does not pretend that art can resolve war, displacement or generational trauma. Instead, it demonstrates how storytelling can protect a person from being reduced to a headline or statistic.
It can preserve her humor, ambitions, intelligence, creativity and humanity.
That is where the film finds its greatest power. It’s Complicated is a moving and thoughtful portrait of Palestinian identity, cultural memory, friendship and the responsibility to ensure that individual voices are not forgotten.




