
By Valerie Milano
Palm Springs, CA (The Hollywood Times) 2/24/25 – Patricia Beckmann Wells’ The AI Fairytale Mombomb, Part 1 is an animated short that defies conventional storytelling with its sharp wit, bold visuals, and thought-provoking take on artificial intelligence and motherhood. A Slamdance selection, the film marks a fascinating entry into the ongoing conversation about AI’s growing influence on human identity, autonomy, and the roles we play in society.
Click below for our exclusive interview:
At its core, Mombomb! is both a satire and a warning, wrapped in an eccentric, visually arresting package. Drawing from personal experience, Wells reveals the film’s haunting inspiration. “I encountered a gentleman who tried to get me into his car and luckily, I escaped… I was one of the first people that they tried to kidnap. And I got away. His face was imprinted on my mind, and I would recognize him anywhere.”
This real-life trauma informs the narrative, where AI and human relationships collide in unpredictable ways, exploring themes of creation, control, and the blurred lines between nurture and programming. Wells, known for her unique ability to blend humor with social critique, crafts a world that is at once absurdly futuristic and eerily relevant.
The animation style mirrors the film’s unconventional approach, with surreal imagery and an aesthetic that feels both retro and cutting-edge. It evokes a sense of nostalgia while simultaneously pushing the boundaries of digital storytelling. The character designs and settings are exaggerated, reinforcing the film’s satirical edge.

Perhaps the most compelling aspect of Mombomb! is its commentary on motherhood in the age of AI. In a world where technology is rapidly redefining human roles, the film asks: What happens when artificial intelligence starts to take over traditionally human functions, including the most intimate and essential ones, like caregiving? It’s a question that feels especially relevant in an era where AI is creeping into creative and emotional labor.
Wells emphasizes the film’s therapeutic undertones. “The overall message is how to self-heal… Accepting trauma into your life, that it is a natural human condition. We’re going to have it. It’s going to happen to us. And we need to prepare ourselves for it.”
This message resonates particularly strongly in Part 1 of what is presumably a larger narrative, Mombomb! leaves audiences with more questions than answers—but that’s precisely its strength. It challenges viewers to think critically about the technological future we are hurtling toward while entertaining them with its offbeat humor and striking visuals.
Wells has crafted a film that is as funny as it is unsettling, a reminder that the best sci-fi doesn’t just predict the future—it interrogates it. With The AI Fairytale Mombomb, Part 1, she delivers a film that is as imaginative as it is urgent. One can only hope that Part 2 will continue to push the boundaries of this wildly inventive story.