SEUN KUTI & EGYPT 80 All Fired Up as they Head to California For Six Concert Dates in the State—but it’s no Vacation!

If anybody wondered, leading Afrobeat exponent Seun Kuti’s idea of a great vacation is a STAYcation.  “The one place that I like being is with my family back home and that’s why I don’t really travel for holidays. My wife goes on holidays with my daughter without me and they hate that, but for me, when I’m traveling all the time, a holiday means being in one place and not having to travel. So when I get home and my wife is like, ‘I want us to go to Tahiti,’ I’m like, ‘You know what? No, I’m done moving, I’m not moving one inch!’”

So, after a pandemic-induced break—much like every other performing and recording artist out there, SEUN KUTI & EGYPT 80 head out on tour with mixed feelings; missing the road, but missing home, too. Having just gotten a tattoo in London-a significant chest piece reading “Rebel,” he says in a recent rooftop chat, “We’ve never had this sort of three-year hiatus before, so it feels like we’re touring for first time again. We find excitement in every show and can’t wait to get to the next one, to get on stage and show these fans what we can do. It’s been really exciting doing it again.”

And when Seun tours, he tours BIG. The Kuti family scion Seun Kuti and an eight-piece band started in the UK June 1^st in Leeds, has stopped at major festivals like Glastonbury (but skipping Morocco’s Jazzablanca in protest of recent migrant deaths in Melila at the Spanish border) and traversed the UK, Italy, Switzerland, the Netherlands, and France. They’ve got six dates in California this month, including The Alibi Palm Springs July 10^th, Solana Beach July 12^th and The Lodge Room Los Angeles, July 13^th. They wrap up in the US with the Waltons’ Format Festival in Bentonville, Arkansas, The Big Climate Thing in New York and the tenth annual Desert Daze at Lake Perris on September 30^th, performing on a bill that includes Tame Impala,

Seun’s coy about favorite places besides home: “Let me put it this way, I am happy to be in certain places when I’m in certain regions. When I’m in the United States I love being in LA, when I’m in the UK, I love being in London, when I’m in mainland Europe I love being in Paris. So that’s how it is for me, there’s not one place.” Familiarity does breed a smidgen of contempt, though. “A lot of bonding happens with you and your band when you’re on the road and trapped in the same space most of the time. By the end of three months you don’t want to see their faces for a while, but we’ve missed that ability to be in each other’s business.”

Southern California fans will be able to sample the full range of the band’s repertoire which includes classic anthems and songs from their catalogue—including the most recent Grammy®-nominated album Black Times. He’s debuted two brand-new songs from their upcoming album that were recorded live at Clout Studio—the legendary premises of Cool FM 96.9 on Victoria Island in Lagos, Nigeria. The tracks, titled “Love and Revolution” and “Emi Aluta,” were released by The Orchard on June 24th, and are available now on Apple Music, Spotify, and Soundcloud.

Like his father, Afrobeat pioneer Fela Kuti, Seun’s music has an ability to convey both the weight of the world and the exuberance of its people’s spirit, in an eminently danceable format. Seun continues and expands on his dad’s tradition of fusing music and politics into something transcendent and revolutionary, in every sense of the word. But there’s always a message. “I’m already playing some of these songs live, so I don’t mind sharing. There’s a song called ‘T.O.P.’ The acronym is ‘TOP,’ but it stands for ‘things over people,’ which for me is what I experience as the relationship between the elite—the system—and the people. The propaganda and the narrative that we live in an era where property rights are human rights, where we are supposed to value things and money over people.

Few escape Kuti’s rapier of sonic agitation. “We live in a world where even though the rainforest is being destroyed, nobody cares. People are being killed, and nobody cares. But we see a lot of protection for corporations who don’t want their feelings hurt and because corporations are people now.”

All this from a man who once dreamed of being an economist, but he couldn’t cope with the work hours. He recalls, “When I was still a young stupid kid, I didn’t know that you’d have to wake up every morning to go to work when you grew up. I thought waking up in the morning was only for kids because my dad and my mom did not have ‘jobs.’ They were both self-employed—my dad was Fela and my mom worked for my dad—so they were just home all the time. I thought you got to be home all the time regardless of what you did. When I got to junior high, I realized that being an economist meant I had to wake up go to work every morning. ‘I can’t just sleep as long as I want? No way!’ That just stopped the dream.”

Lucky for the rest of us, music took the dismal science’s place. “As a kid I was classically trained up until grade five. After that I started playing the saxophone and I did my exams in music before going to the Liverpool Institute of Performing Arts and getting a diploma in Popular Music and Sound Technology.” He started playing in Egypt 80 when he was nine.

But when the tour’s over, don’t expect to find Seun on Southern California’s beaches. He concludes, “I say to my family, ‘Come on tour with me!’ They’re like, ‘That is not a holiday.’” He agrees. “Just stay at home! Make hot cocoa, turn on the TV. Everybody huddled up, not having to move. No call times, you know?”

Here’s the current tour schedule:

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