By Marc Ang and Valerie Milano
Photos THT
Hollywood, CA (The Hollywood Times) 10/25/21 – While L. Ron Hubbard is best known for growing Scientology into a worldwide organization, let that not overshadow his contributions to the science fiction genre. On Friday, October 22nd, at the beautiful Taglyan Complex in Hollywood, the 36th and 37th annual awards ceremony recognized 50 writers and illustrators including the “Distinguished Writer” and “Distinguished Illustrator” contests.

Following the 1982 release of his internationally acclaimed bestselling Science Fiction novel, “Battlefield Earth,” written in celebration of 50 years as a professional writer, L. Ron Hubbard created the Writers of the Future Contest (www.writersofthefuture.com) in 1983 to provide a means for aspiring writers of speculative fiction to get that much-needed break. Due to the success of the Writing Contest, the companion Illustrators of the Future Contest was created in 1988. This spirit of mentorship and a guild was evident throughout the event.
In order to dispel any myths, this was not a closed group to Scientologists, as one may assume with the stylistic flourishes and the L. Ron Hubbard name. Instead, it really was a gathering of worldwide science fiction geeks and enthusiasts, from people involved in publishing to Hollywood liaisons to the writers and illustrators themselves and their families, procured from around the globe.

In the 37 years of the Writers of the Future Contest, there have been 428 winners and 80 published finalists. The 428 past winners of the Writing Contest have published 1,150 novels and nearly 4,500 short stories. They have produced 33 New York Times bestsellers and their works have sold over 60 million copies.

The Writers of the Future Award is one of the genre’s most prestigious awards, along with Nebula and Hugo Awards, fast becoming a strong #3 as far as awards go and definitely a favorite among the enthusiasts. The Writers and Illustrators of the Future contests have produced 37 anthology volumes and awarded upwards of $1 million in cash prizes and royalties.

According to John Goodwin, President of Galaxy Press, and one of the organizers of the event, said, “Our contests promote the arts welcoming diversity, ethnicity, creativity and equality, with no age limits.”

The Awards Show and Banquet was held in the Taglyan Complex’s Grand Ballroom, and it was followed by a book signing and reception. The show opened with a performance from singer/songwriter Crystal Starr, who performed a song called “We’ll Never Die”,written by composer Pauline Frechette (aka Raven Kane). Toni Weisskopf, publisher of Baen Books, and winner of the Phoenix Award, Rebel Award and the Neffy Award for Best Editor, gave a powerful Keynote speech.
The event also featured an In Memoriam segment in honor of Mike Resnick, a 2017 Lifetime Achievement Recipient and a longtime writer contest judge and Ron Lindahn, a longtime illustrator judge. On stage, certificates of recognition from the offices of California State Senator María Elena Durazo and Councilmember Mitch O’Farrell, 13th District, City of Los Angeles, were featured, recognizing the awards show and award recipients.

Influential Attendees Get To The Heart of the Niche Science Fiction Community

Burroughs’ story was very interesting and emblematic of the many people at the black tie event, regular everyday people. While Burroughs was a businessman at heart, he did not start writing until age 35, after embarking on this new career, resulting from his writing of bedtime stories for his 3 young kids. Previously, he was a salesman for pencil sharpeners and used his downtime in boredom to write stories.

Carey has a background integral for the future of Edgar Rice Burroughs’ legacy and the genre itself and was brought in due to his success as Senior Editor of Paizo, Inc., publisher of the bestselling Pathfinder and Starfinder roleplaying games, where he worked on the Pathfinder Tales and Planet Stories fiction imprints.

Now his job is to continue the storylines of Edgar Rice Burroughs and his universe, along with the interconnected characters. In addition, their strongest brands have a unique flavor. Tarzan and John Carter, created in the first half of the 1900’s, gave birth to the sword and planet hero and an imagined world in Mars, a fantasy setting that included retro elements. Today, this legacy lives on with the Disney tie-ins and movies. In fact, Disneyland even has a Tarzan tree house in their Anaheim and Hong Kong theme parks, demonstrating the lasting impact from a movie created last millennium.

The future of these books and legacy is now shifting more digital. Now, it’s Amazon, Barnes and noble.com, direct sales and other avenues. With over 10 books released a year, and Diamond Books as the distributor and Oasis audio books, Chris’s job is to get to as wide of an audience as he can. He does this by teasing other books in the interconnected universe as a bonus chapter, and sees this as an opportunity to showcase new talent.

Chris was most excited about keynote speaker Toni Weisskopf, the keynote speaker. She had published the worlds of Edgar Rice Burroughs as the owner and publisher of Baen Books.
Joining him in that excitement was CEO of Rockville Maryland-based press, Arc Manor, Shaahid Mahmud, who actually had a licensing agreement with Edgar Rice Burroughs, but were seated together randomly. This goes to show a small tight knit community. Mahmud grew up in Pakistan and like most attendees, grew up as huge fans of the genre and are now living the dream. Now, Mahmud’s claim to fame is despite being a small press, they secured the rights to publish Robert A Heinlein’s works, the inspiration for the satirical “Starship Troopers” franchise.
Also joining us was Dave Chesson, a speaker on self publishing and founder of the Atticus.io, an easy one-stop shop for any author who wants to self publish and create an e-book easily. Dave himself is a sci-fi fan and while his portal helps any author, it’s clear he has a love for the specific genre. Dave represented the consistent energy of the room and the “Writers of the Future” brand, in general: a tight-knit, friendly community helping each other whether through verticals in the publishing business, promoting each other’s work, paying tribute to pioneers in the genre such as L. Ron Hubbard or Edgar Rice Burroughs, or most entertainingly, connecting each other’s stories in overlapping universes.


