Home #Hwoodtimes Dying to Live

Dying to Live

By Valerie Milano

Los Angeles, CA (The Hollywood Times) 12/25/23 – The Wake unfolds a chilling narrative that delves into the dynamics of cause and effect, intertwined with the relentless cycle of life. The protagonist, the eldest son of a mortician, yearns for a life beyond the somber confines that have defined his existence. This gripping tale explores the inescapable convergence of our aspirations and the inevitable consequences that life brings, emphasizing how our desires can intersect with the unfolding events that shape our destinies.

At its essence, the short film delves into the intricate dynamics of family relationships, presenting a nuanced exploration of both sibling dynamics and the layered relationship between father and son. Director Luis Gerard provides insight into these multifaceted connections, offering viewers a compelling glimpse into the complex web of emotions that defines familial bonds. Gerard discloses, “The siblings live in a small town, so there isn’t much to do outside of robbery of passed on neighbors,” he begins, “For the older brother, he doesn’t think that he is doing anything wrong because the owners of these homes have passed on, this is more of an adventure that he is sharing with his younger brother. It’s also a father son story, even though this story dynamic is a bit more subtle and in the background. His father benefits from death; his business is all about death. The older brother is profiting from death simultaneous to his father in his own way, and in his own way, he doesn’t see any wrongdoing, much like his father. Overall, the eldest son is very much a reflection of his father in many of his habits like smoking, drinking and their shared disregard for their actions.”

Click below to see our exclusive interview:

There are many important themes in The Wake that our nation can glean valuable lessons and should take heed. Gerard sheds light on these vital insights, underscoring the film’s potential to serve as a thought-provoking mirror for societal reflection, “The theme of guns and how kids perceive guns is a theme I wanted to highlight. We’ve been exposed to the concept of guns at a very young age and growing up for me, guns were very prominent. You used to get toy guns at Christmas as gifts, kids are exposed to them in video games, movies, even cartoons; guns are seen as a cool item to have and nothing that kids perceive immediately as dangerous. In the short you will see this sort of carefree perception of guns in the way that the siblings handle and play with the gun. So how we view guns as something that is not dangerous is definitely a theme in the story and how bringing a gun into the equation can yield tragic results.”

Luis Gerard

Luis Gerard adeptly navigates the themes of cause and effect, familial bonds, and societal perceptions, interweaving a narrative that acts as a touching mirror for reflection. The film’s subtle portrayal of the protagonist’s yearning for a life beyond the constraints of mortality resonates with viewers, spurring contemplation on the intersection of aspirations and the inevitable consequences of our actions. Furthermore, the film addresses vital societal themes, such as the perception of guns and the potential for tragic outcomes when they are introduced into everyday lives. The Wake encourages audiences to confront these profound themes and stands as a compelling reminder that within the folds of family and life’s intricate tapestry, lessons abound for those willing to adopt them.

Please stay updated via https://www.luisgerard.com for more information on the Oscar qualifying short film and release dates!