By Michael Milano
Los Angeles, CA (The Hollywood Times) 5/21/25 – It’s not every day that an 18-year-old makes her festival debut on one of the country’s most celebrated stages—but Bella Rayne isn’t just any 18-year-old. With a guitar in hand, a psychedelic jam-band behind her, and a raw, soulful energy that channels rock legends and jam icons alike, Bella is quickly making a name for herself—starting with her first-ever appearance at BottleRock Napa Valley 2025.
Click below for our exclusive interview:

Despite years of hearing about BottleRock, Bella deliberately waited to experience the festival. “We’ve held off on even going,” she says. “I’ve been saying for years, ‘Oh, we’ve got to go to BottleRock,’ and now it’s finally happening—for real, and on stage.”
She’s particularly looking forward to the Sunday lineup, where friends and favorites like Aggies and Goose will take the stage. “There are so many great bands I’m looking forward to seeing,” she says. “And all that amazing food—I’ve heard good things!”

“We’ve got a killer jam-band-style, psychedelic set planned,” she reveals. “It’s a whole new vibe for me.”
Expect surprises—including a bold reinterpretation of Bob Dylan’s “Maggie’s Farm”, transformed into what Bella describes as a “jam-heavy, gritty rock tune.” It’s a clear signal that this rising artist is not afraid to take risks and put her own spin on the classics.

Now, with the festival a forefront and the summer ahead, Bella is stepping into a new creative phase: writing her own material. “I never saw myself as a singer-songwriter,” she admits, “but I’m taking time off after BottleRock to really dive into writing. I love it—whatever works, I’m exploring it.”

It’s a glimpse into the reflective mind behind the rock ‘n’ roll exterior—an artist who respects the moment, the music, and the audience.

Bella Rayne is still at the beginning of her story, but with a fearless style, a reverence for the greats, and a stage presence that’s all her own, she’s already proving she belongs. At BottleRock and beyond, she’s not just finding her voice—she’s using it.



