An Interview with The Bear’s Edwin Lee Gibson
By Emily Safron
Los Angeles, CA (The Hollywood Times) 1/13/25 – For Edwin Lee Gibson, his multiple partnerships with FX Networks were a mere coincidence. Now, the duo is on the road to success. “FX is fearless, and I see myself that way, so it’s a good fit,” he explained.
Gibson started acting when he was 16 and has since starred in 104 productions worldwide. Most recently, he starred in FX’s The Bear and She Taught Love. Now, he is looking ahead to his newest endeavor, a pink and red dress, made of satin… covered in flowers, mostly roses.
Gibson responded to his work on The Bear with all positive feedback, sharing a recent meeting with producer Christopher Storer. The two discussed their thoughts and the audience’s thoughts on the show. “I love doing the show with everyone. What people see that chemistry on camera, is indicative of how we are when the cameras aren’t rolling,” he shared. With the show renewed for a third season, Gibson looks forward to continuing his work with FX and Hulu.
In addition to acting, Gibson is also a writer. “I never want to be seen as an actor; I’m an artist, and artists create work,” he shared. “If you want to move in the business, you have to show people you can do beyond what they can do and put your mouth where your money is.” His upcoming short, a pink and red dress, made of satin… covered in flowers, mostly roses, began production in late 2024. The film was initially intended to be longer; however, Storer advised against putting all his money into his first project. He transformed it into a shortened 12-page version. Gibson will have a small role in addition to serving as executive producer.
Gibson was also chosen to be part of the Sony Pictures Television Writing Program in 2022 for his pilot Nicodemus. “You can only be nominated, and you can’t submit your own work,” Gibson said. “They read the projects blindly, and after the first cut, they find out who wrote the work. The program is filled with prompts and learning how to talk about the script and television writing process beyond a pilot.” Gibson shared he remained close with Sony following the program.
Gibson is looking forward to his projects this coming year, sharing he “may be working in the UK a bit more in 2025”. To learn more about Edwin Lee Gibson, you can follow along on his Instagram, @EdwinLeeGibson.
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O’Grady-Peyton sat down with The Hollywood Times for an exclusive chat about his film. O’Grady-Peyton and Whelan met on a commercial shoot a couple of years ago, and the pair were inspired to collaborate on a project when Whelan sent O’Grady-Peyton sent his first attempt at screenwriting, the director liked what he saw. “I remember reading it and feeling super moved by the story, O’Grady-Peyton said. I really felt moved by it and I was totally convinced that this would be a great project and something that had a really unique concept.’
Farrell said the film “wears its compassion – along with its heart – on its sleeve with tender performances. The story stayed with me long after viewing, I was thrilled to be asked to be a part of helping ‘Room Taken’ find as wide an audience as possible.”
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Dylan billed as “Miss Dylan” in the pivotal role as the object of the three men’s desires makes her home in New York City and is making her acting/writing/directing debut with this film. She went on to address the fetishistic element to dating, and said it isn’t always the case that men are trying to check off a fantasy on some sexual “bucket list”. However, it may seem that way in the film, with the ultimate question from each of the 3 suitors at the end, in that they are all rather excited to perform oral sex on her.
As for the question of, how does this kind of non-stop pseudo-justification and fetish denial by the men make her feel as the woman she most definitely is? Dylan said it is truly a disappointment to her.
“Sarah was recommended to us by multiple sources, and she came on board very early on in the pre-production process,” he said. “She has a really great eye. We had a limited budget, and she was working under extremely limited constraints, and she just knocked it out of the park.”
“I didn’t get the opportunity to work with him at school, but we were searching for an editor, and I happened to bump into him,” Spencer said. “We were working hard to meet that Sundance deadline, and he did a really great job as well.”
The film was produced by April S. Changan an L.A.-based producer from Atlanta, and filmmaker/producer Vicki Syal, also based in L.A. with roots in Brazil and India. Justin Floyd and Louie Torrellas were executive directors for the film.
Imagine a smart village—a community that blends cutting-edge technology with a deep respect for culture and environment. Here’s a glimpse of what this futuristic yet grounded vision might look like:
Key Considerations for the Future
The ashes will cool, the carpenters will arrive, and the future’s story will unfold—brick by brick, byte by byte.
️FLOW – 11:30AM
By Valerie Milano
